With his new film Coming Home Again arriving in virtual release today, director Wayne Wang muses on the debt he owes to Chantal Akerman’s Jeanne Dielman, 23 Quai des Commerce, 1080 Bruxelles — a singular experiment in location and duration built around a deliberately opaque Delphine Seyrig performance. Your genial host Norm Wilner can’t wait to peel back the layers on this one.
With his new film Coming Home Again arriving in virtual release today, director Wayne Wang muses on the debt he owes to Chantal Akerman’s Jeanne Dielman, 23 Quai des Commerce, 1080 Bruxelles — a singular experiment in location and duration built around a deliberately opaque Delphine Seyrig performance. Your genial host Norm Wilner can’t wait to peel back the layers on this one.